#what's with david tennant and blondes

[ten-simm]

I will never be normal about this.

[celestialblueboy]

Crowley watches Pride and Prejudice to cope with his divorce.

Maybe he will end another Armageddon to win back his ex. What? Like it’s hard?

[fingertipsmp3]

Whyyyy have I never watched classic Doctor Who before, it’s such a vibe

[casasupernovas]

i need to make an official post, but i wanna rewatch some david tennant things and a while ago i actuallly christened aiden hoynes as more evil than kilgrave.

[nastasya--filippovna]

So I finally finished Rivals

so here's my review followed by my episode-by-episode, PowerPoint presentation, Danny Motta style reaction (which no one asked for)

⚠️so massive spoilers heads-up⚠️

WHAT A WATCH! for the first time in, well, forever I did not binge the show immediately after it came out. I gave it time. Watched one episode each day and I think I liked the experience! I remembered a lot more stuff that I do when I binge things. But that's not what I'm here to talk about. Pfft let'g get into it huh!

So I read the book like ages ago when the show was first announced and though I remembered some stuff from the plot, I mostly let myself be shocked by it. Would I have watched it if David Tennant wasn't in it. Hmmmm? Probably not!

I mean this show....ugh... man there's no one word to describe it, is there! It's not all romp and pomp although it may seem like it. The strangest part is that for a show that's dealing with some really dark matter it (for some darn reason) refuses to take itself seriously (as @davidtennantgenderenvy wonderfully put it). I mean one minute we're dealing with woman rights, the other Matador Ole is playing while Rupert and Cameron stare each other like that.

I think it's unfair that the media constantly limited the premise of the show to its sexual aspects. The story is a clear socio-political critique of the power politics, sexual politics, and elite culture of the time and it's still quite reflective of the same things in our time too. In fact, the very fact that it disguises itself as a period piece makes it all the more applicable to our time. While watching the show I felt as if each character represents a different segment of the upper class; like Antonio Gramsci said the capitalist class is not a unified group. We have Rupert who represent the political elite, the ones that come from powerful families and then we have Declan who's the intellectual elite, Tony who's one of those new-money business elite people who will never really fit into this cult, Fred the technology millionaires, and Monica who represents that fading, waning part of old British aristocracy that was all about decorum and honour and values and virtue, something that is no longer valued in all the new kinds of elites that are springing up.

It's a very turbulent time. We're on the brisk of turning the world into the way we have it now, pulling it out of another era that is now fading away.

Rupert.... um man! Alex Hassell should be banned from playing this character because he injects more charisma in it that he deserves. I almost started liking him. And it's weird to me that his character development is fine, it's great it's wonderful, he goes from a careless heartless scoundrel to a nice caring person. The only problem I have here is what he did to Taggie in the beginning. How can someone ever possibly expect a woman to forgive a man for s3xual abuse or harassment. That's like major rizz-killer. But his friendship with Lizzie was one of the things I really liked. Made him seem so much more human.

Talking of Lizzie. My girl. My favourite character. Although if I'm being honest EVERY single woman in the show was impeccable. Every one of them ten thousand times more complicated than any male character. We need more women written by women. Sarah looks like a dumb blonde but she's not. She's just a woman who's trying to make something of her life in this male dominated world. Cameron Cook. Absolute goddess. She's powerful. She knows what she wants and how to get it. We just don't have enough ambitious women in media portrayed as "good". Ambitious women are always shown as bitches. And she's not passive in regard to her sexuality. It's her weapon and she uses it with her full agency. Monica, what can I even say about her. Perfectly embodies the crumbling grace of old aristocratic families. Beautiful performance, beyond words. Maud. Oh boy. I lowkey hated her for a bit but her last scene was so amazing.

Aaaaaaand Tony. Tell you what they should NOT let David Tennant play bad people. 'Cause he's gonna do it so good it will give you nightmares for ages. I love that he is always in command of the kind of response he wants to elicit from the audience in regard to his character especially when playing an antagonist. I mean if we compare them, Des makes you feel like you're gaping at the fucking abyss, Tom Kendrick is just awful and scary like a bad father, Kilgrave is (like the character's personality) the kind of performance where you want to hate this person bcs you know they're awful but something about them is sucking you in and you hate that feeling but you can't stop it somehow (cz that's what Kilgarve does!). For Tony he knew what he was doing. He knows how to turn on maximum rizz and then turn it off. He reels in the viewer, making them think oh this is the most charismatic human being I have ever seen (just like Tony does to other characters) and then he strikes when you're in deep.

Another interesting bit about this character was how (esp in eps 7 and 8) there's bits where you think that maybe he's not altogether bad, that maybe there's a bit of kindness and love hiding there somewhere. But then you realise there isn't. All that tenderness is deliberate. He does it on purpose because it draws people in. He cannot love because he doesn't have it in him. Everything is, for him, about social status and winning. He doesn't love his wife. He doesn't love Cameron. He just wants to have them because she feels like he didn't have the things he deserved at some point so now he's gotta have everything. Like he says "just let me have this one"; it's all about winning. Heard someone call him a cartoon villain. Nope guys he's very real. Also the only time you feel like he's being genuine is when he's being a sopping wet pathetic mess in the end.

And he's also very relatable to some extent. I get that what he goes through. His insecurities and whatever complex he has. I do. I go to a university with rich kids from filthy rich families. My parent's parents weren't rich. They just made their fortunes in the last generation and even though I get to be in the same circles as these rich pricks, I feel always (or they make me feel) left out. Like I'm an imposter. Like I could never really have any real class. And that itches a very particular itch in my brain.

As an afterthought, I think you can measure men's personalities and worthiness in terms of DT characters: On a scale of Alec Hardy to Tony Baddingham what kind of man are You!"🫵

On the whole it was a great show. Lovely music. Loved the introduction of each character and how it just lets you know what kind of person this guy/gal/person is! Wonderful cinematography and visuals. Gripping sub-plots. An what an ending! Perfect cliffhanger. And tbh I'd really like it if they left it here. To me a good story doesn't always need to be resolved. There's something to be said for those little ambiguities and uncertainties in life and all the thigs left unsaid. [and if someone is really anxious they can go read the book] Remarkable watch. ★★★★★ (5/5)

And now the reaction!

(Tap for full picture and better quality)

Anyways, here's some memes I made while watching Rivals

Episode 5 Live Reaction:

[aziraphales-library]

this is going to sound slightly stupid i’m begging you to bear with me

you know those fanfics from like 2013, the rpf’s that (usually) were about musicians like harry styles or brenden urie?

they’d go something along the lines of, ‘not-like-other-girls’ sitting in the crowd of a concert her friend dragged her out to, but she just doesn’t care about the music it’s so not her thing so she reads a book during the concert (cue the groans). then the lead singer sees her and is totally taken by her uniqueness and calls her out from the stage or asks to see her after the show yada yada.

anyway, i saw some fan art of rockstar!crowley and normie!aziraphale, and i thought it’d be fun to see if there’s anything similar to those kinds of rpf’s but instead for crowley and aziraphale!

We have a #famous crowley tag you can check out. Here are some fics in which Crowley is famous and Aziraphale is not...

A rockstar's love by The_boxhead (G)

Crowley had a lot of problems finding someone to have a relationship with as the famous rockstar that he is. But that day when he entered that coffee shop and saw that blond haired man behind the counter, he didn’t want more than to get to know that beautiful angel with that cute smile.

Star Crossed by AppleSeeds (T)

When Crowley, the lead singer of wildly successful rock band The Sixth Circle, agrees to take part in a radio show discussion feature, the last thing he expects is to come away from it completely smitten with a man who must be the world's most adorable magician. Crowley's uncharacteristic behaviour towards Aziraphale during the show doesn't go unnoticed by the listeners, with speculation soon running rife online. Only one thing for it - Crowley just needs to engineer an opportunity to see Aziraphale again. All in the name of generating publicity, of course.

Never Too Late by AppleSeeds (T)

It's been thirty-five years since the height of Aziraphale's enormous crush on rockstar Anthony Crowley, but when he sees that Anthony is still performing, Aziraphale feels he owes it to his younger self not to pass up the opportunity to finally hear him sing live. The last thing he expects is for Anthony to actually approach him once the concert is over, extending an invitation that surpasses every fantasy Aziraphale harboured about him as a young man and resulting in the most memorable night of his life.

The Only One I Still Know How to See by Furuba_Fangirl (E)

Aziraphale has been an admirer of Anthony J. Crowley for years. However, the gap between audience member and stage actor begins to thin when they are given the chance to officially meet.

Soho by Lurlur (E)

Aziraphale lives a quiet kind of life, running a quiet specialist bookshop in one of the liveliest districts of London. He's content with his lot, happy with his friends, tolerant of his probably-human housemate, living vicariously through the gossip pages. One day, a chance encounter with Anthony Crowley, lead singer of wildly successful rock band The Demons, threatens to turn his whole world upside down.

Find the Light by klikandtuna (E)

I saw a collection of gifs on tumblr combining David Tennant as a rock star and Michael Sheen as a school headmaster (see the notes of Chapter 1 for a link to the post!) and someone said that it ought to be a fic, sooooo I've made it a fic. Here's a heapin' helping of rock-star Crowley and headmaster Aziraphale! Now with shiny new cover art, also by me!

Win a Date With Anthony J. Crowley! by Caedmon (E)

Crowley is a world-famous rock star who sells out arenas. His name is synonymous with 'rock-n-roll', and he thrives on the spotlight. When he agrees to raffle off a date with himself for charity, he's expecting to meet an overzealous fan that wants to wear his skin and very well might try to roofie him. What he's not expecting is to be instantly attracted to the quiet man with the unusual name who shows up for the date at the Ritz... and he's certainly not expecting for Aziraphale to have no clue who he is...

- Mod D

[crowleysgirl56]

We’re in the end game people. Danny Motta’s react to Good Omens Season 2 episode 5 is up. My favourite highlights of his reaction below the cut!

- First off the bat, Danny being angry that there’s a Doctor Who reference. Boo Danny! Boo, I get you don’t like Doctor Who. But also funny comparison that Doctor Who is a direct competition to this show. Yes that’s fair.

- Danny’s double take realisation that David Tennant was in Doctor Who was fucking hilarious. Then him trying to work out if Crowley is David Tennant or if he’s an actor in this universe and how does it work.

- I cannot explain Danny doing a sketch about Crowley doing nice things and then telling people he’s not nice. It’s something you have to witness and man it was SUPER funny.

- “Jim looks like Ron Weasley about to make Hermione cry at the Yuletide ball” 🤣

- *cups Danny’s face gently in my hands* Danny. Sweet summer child. My dear sweet boy. Mrs Sandwich’s establishment is a brothel and the seamstresses are sex workers. Dear sweet child.

- Danny squeeing over Aziraphale’s face when he asks Crowley to dance. Correct response Danny!

- Every single adorable cute reaction over Jimbriel! Especially when Jim goes outside in the giant flamboyant coat. The best.

- Danny, it’s been five episode now! Nina is the brunette and Maggie is the blonde! 😖

- I love his reaction to Aziraphale’s line about Crowley rescuing him makes him so happy. Also correct.

- “Don’t like how you emphasised Come. Don’t think it’s something you do quietly Crowley.” Spit take. Yep. Yep that’s fair.

I love how at the end of the video Danny sings the praises of Aziraphale and how much he’s enjoying his character this season. I love that. But I’m super curious to see what his reaction is going to be towards Aziraphale after the final 15 next week. Well, one more to go people. Let’s see how he takes it.

[roxannepolice]

I just want to personally thank BBC, Neil Gaiman and Russel T. Davis for looking at David Tennant and deciding yes, this is the man upon whomst we shalleth toss the dialectics incárnáté as low key sexual tênsiôn with a platinum blond man that is hith enemý of ages so everýone shalleth hath the révélàtiôn of what the ancients meant by love and hate being primary énérg��es that move the world all the whileth hith skinny ass is contemplated.

[eden-3000]

Rating David Tennant as marauders fancasts

Sirius - 10/10! Crowley vibes, all the gender, serves cunt!

Remus - 11/10 would look adorable with a sweater and a book, tall, tortured (also Remus with a Scottish accent would fuck so hard!)

James - 7/10 10th doctor ADHD, not a poc

Peter - 4/10 too tall, not enough rat, but he could probably pull it off.

Lily - 10/10! Yes please, he would slay so hard!

Regulus - 8/10 idk why, just accept it

Mary - 6/10 not a poc, ladies girl

Marlene - 5/10 I really don't want to see him with this kind of blonde hair, but would be a great lesbian

Barty - 9/10 great in the movies, what more do you want, serves cunt!

Evan - 6/10 again, scared of seeing him blonde, but I think he'd be good I that role.

[chironsbug]

what the fuck is up w david tennant and saying the most devastating lines towards blonde bitches

[catsgetoutduringmidnight]

Aziraphale & Eddington.

Neil has confirmed us that David Tennant *actually* exists within the Good Omens universe. Thus, we may assume that the whole of his filmography, except for Good Omens, also exists. We may assume as well that Aziraphale has more or less followed Doctor Who over the decades, and that somehow, with time, the actor of his favourite doctor earned an eerie similarity to Job. But this isn't about him, right now. This is about his son in law.

I would like to think Aziraphale did enjoy the utterly handsome Eighth doctor, ending up glued to the screen and getting deeply excited about this incarnation. He probably got upset because of his only appearance on TV, but would still be delighted to see the series coming back to the BBC in 2005. The Ninth doctor may have appeared a bit tough to him at first, but there was something deeply endearing about him. Maybe it was the way he rocked that leather jacket, or his sense of humour, or his bravery, or his charming accent... He never really knew, but it was sad to say goodbye so soon again. "Who will be the new doctor?" He thought to himself. "Will they be blond? Taller? Will they wear a vest? A bowtie perhaps?". When the young man appeared on screen before Rose for the first time, Aziraphale was left completely mesmerised. The young man was... Different. He had slightly long hair and, honestly, he really liked how the leather jacket suited him too. Once the credits rolled, he found out his name: David. "Oh, that's a lovely name," he thought to himself. "That's the name of a king!".

He followed his seasons very carefully, blushing with his cheekiness, chuckling with his jokes, and loving how adventurous and fair the man was. Thanks to Crowley, he even dared to go to "the videoclub" and rent some of his earlier works. Oh, how handsome the man looked in The Last September, what a dear he was in Takin' Over the Asylum, how lovely he was in Duck Patrol, and what a cocky detective he was in Blackpool... Although, he admitted not being too focused on observing his labour as a detective there. The young man was rather handsome. Aziraphale flushed, could this be love? How silly of him! Falling in love with an actor! He was an angel! Which, inherently, also meant he was born to love. Maybe, just maybe, it wasn't something bad. It could be silly, of course, but forgivable.

One afternoon, Aziraphale went to the videoclub on his own, and found a movie he hadn't checked out yet. Einstein and Eddington, a scientific movie it was. The young man looked wonderful in those glasses and stunning sandrift linen suit. Humans may say one mustn't judge a book by its cover, but this dvd already seemed perfect for him! Thus, the angel rented it and decided to treat himself with the film. He laid on his white cream sofa, got under his soft tartan blanket, and pressed the play button. A smile came across his face when he saw the man in those light refined clothes. What a delight to the sight that was.

The angel felt it deeply when he learnt that Eddington was in love with a man he couldn't have, but his heart did not only wrench there, no. It was when he saw the man stand before the orrery when things got clearer. He had to pause the video. Aziraphale got up and sat close before the screen, brushing his fingers against the image. "Crowley..." He mumbled. The only thing in his mind was the image of the spectacular ginger angel he met, in their neat white dress, creating a whole universe in front of his eyes. The way their thin fingers moved, the eagerness in their voice, the dark greenish of their gaze, way more breathtaking than the vastness of hues of the newborn nebulae. And when the blond saw, further on, the physicist crying desperately for his vanished love in the wide green garden, his heart shattered into shards.

He would not admit it, but he did not watch the movie just once that night. Not twice either. Eddington was just like his dear boy, not specifically the angel, nor specifically the demon. It was him. With their curiosity, and their passion, and their deep care, and hunger for answers and justice. He felt warm tears threatening to fall from his eyes and his mind started wandering. Because, what if. Just, what if Crowley had ever felt like Eddington? What if he was worried that one day he would never see his angel again? What if there were feelings trapped in his chest he feared never being able to express? Would he be like the astronomer and, once again, question God for her ineffable decisions? It took Aziraphale a good while to get away from the screen, from that eerily familiar image fueling his heart. It took him days for his sorrow over the fictional Eddington's life to lighten, after being the root of many, many wondering.

The next time the angel met his partner, he was certainly still caught up in his thoughts. The demon noticed, so he decided to ask him about his series and that actor that had truly drawn his attention. He didn't really know what he saw in him, but it didn't take much to notice the pure bliss in his blue eyes when he told him about his character's adventures. The way his words flowed in excitement and his hands often moved around to help with it. The angel was finally enjoying himself in something else than books and occasional music, and seeing him so cheerful did really brighten the demon too.

"How are things going with your binge watching? Have you gotten your hands on another series, or...?"

Aziraphale slowly lifted up his head and stared nervously into Crowley's eyes. He did not know what to say, how could he put into words his worry? Even worse, how to explain where all this came from? The ginger would probably laugh. Worrying that deeply about a character? A movie character? The angel got dewy-eyed. Please no, not in front of him, not like this, he prayed. The demon frowned, he sensed there was something his beloved couldn't easily tell.

"Aziraphale? Is everything alright?" The ginger asked softly. The principality breathed deeply and finally, managed to speak, as he fiddled with his vest.

"I- I just watched a movie, a sad one I must say. It made me think." The demon hummed, and answered.

"I get it. It's understandable, and if that David guy is really that good as you say, I bet his acting can move tons of people." Aziraphale's gaze brightened, he couldn't believe what he had just heard. "I mean, I can see him being very talented. From what you've told me, the man does really have a range for acting. That's always important, to be able to adapt-."

"You really listened." Crowley was about to keep on rambling when he saw the angel in awe.

"Well, I have ears, what else am I supposed to do with them if its not listening?"

Tears fell off the angel's eyes. Crowley did not hesitate to get closer, inviting him into his arms. In a matter of seconds, the blond was in his embrace. He hugged his Angel tightly, and let him cry as much as he needed, caressing his back. He could not help but mutter in a caring tone.

"You and your stories, Angel."

[becausegoodheroesdeservekidneys]

Doctor Who, but Chronologically 26

It's 1913 and fuck me but this episode fucks like a rabid rhino as it's time for Human Nature.

Holy.

Shit.

And it kind of makes sense! Remember when the Tennant Doctor talked to Jackson Lake? And told him about how Time Lords sometimes store memories in fob watches? And then remember how Tecteun and the Ood had a fob watch they used to be a dick to the Whittaker Doctor? And she was maybe going to open it? Fob watch! We know all about these!!!

So, we start with Tennant and Martha, sprinting into the TARDIS to escape "The Family". These, it transpires, are aliens made of lurid green gas who can possess people, so we're off to a simply fantastic start right there in terms of saving the budget. To escape them the Doctor turns himself human, and gets Martha to basically guard him in The Past because as a human he remembers nothing, which

A) means we are treated to David Tennant's acting changing to being Subtly Wrong, right down to the way he smiles, which is unsettling as fuck; and

B) fucking sucks ASS for Martha because she's now a black maid in a posh white English boarding school and this episode is not interested in portraying posh white English boarding schoolers in 1913 as anything other than raging cock-heads who make you glad there's a world war around the corner to wipe two thirds of them out.

Although I say English. That's St Ffagans, that is. With some exteriors up by Llangors. I know my Welsh historical sites.

Anyway, Martha yeets herself bodily up the rankings with this one. She's capable, and clever, and marooned in a fucking awful time as a bodyguard for a man who doesn't remember her and treats her like shit, and she is so achingly alone. She's stored the TARDIS in a shed, and she goes to it for some normalcy, and to dream of going home. She's made friends with Jenny, another maid, and their friendship is sweet and wholesome, the only bright spot left, and the whole thing would make you weep if only, um, Freema's acting was good.

(I'm sorry I adore her but she is just... very hammy)

So it's very depressing when Jenny becomes an alien host.

BUT it's also an AMAZING SCENE, because Martha has managed to source some afternoon tea for them to share, and Jenny comes in and is Weird, and Martha doesn't just notice - in a move that had me going "Well THIS scene was written by a Welshman," she looks Jenny in the eye and says "Okay, shall I put some gravy in the teapot? We could have jam and herring." And Jenny falls for it just as a changeling would, and Martha gets the fuck out. Incredible. Martha for the win. Everyone should know their changeling lore. Martha clearly does. Good girl.

Although shout out to the Family actually; the Daughter is a little girl with a red balloon and the same nursery rhyme backing track as the sinister little girl with the red balloon in Remembrance of the Daleks who turned out to be possessed by a Dalek or some shit, which is very cool, although these little girls with red balloons and sinister nursery rhyme backing tracks are about as good at acting as each other, which is to say, not really. BUT the Son is played by what's his tits off of Game of Thrones, you know the one? Played the little blond inbred lad who loved dragons. He's fantastic in this! Plays it with just the right amount of menace and charm, it's great. It could easily have become hammy and undermined it, but it's just great. Who knew you could sniff in a frightening manner and make your eyes glow with the Power of Acting alone?

Um, what else, what else... oh yeah, the Doctor as a human is a trembling virgin who gets a girlfriend played by Jessica Hynes. He falls down some stairs because he's so flustered about asking her to a dance. He literally starts saying "Um, I've never..." before kissing her, as though that's at all news to anyone watching.

Anyway, plot-wise, the Doctor dreams of his real life and has written it all down in a dream journal, which he insists on explaining to every woman who looks his way with the tediousness of people who keep dream journals everywhere. He keeps the fob watch on the mantlepiece. He has left a list of instructions for Martha, of which number 23 is to open the watch as a last resort.

But, one of the students in the boarding school is that kid from Love, Actually who later was an American chess player in the Queen's Gambit (side note, I swear like half the cast in the Queen's Gambit was British and putting on lacklustre American accents). Turns out this kid is Mildly Psychic in the way that people often are in RTD's era because why the fuck not, and so he has, in fact, stolen the fob watch because it spoke to him. Occasionally he opens it and learns about Time Lords, but that means the Family can smell the Doctor. This means Martha tries to open the watch, only to find it missing.

So they all go to the dance, which is in the old Oakdale Working Men's Club, and my dad used to go drinking there. It's in St Ffagans now. They're moving the Vulcan there just next door which is fun, because I used to go drinking in the Vulcan, so it'll be two generations of us moved to a museum. I've forgotten what I was talking about.

So they all go to the dance. Unfortunately, this includes the Family, who are armed with a heady mix of alien guns and extraneous scarecrows. In a cliffhanger that lets down the rest of the episode, they grab Martha and Jessica Hynes, and tell a very confused Doctor that he has to change back from human or pick which of these women to kill. It feels a bit needlessly stapled on, tbh. But it's nice to see Oakdale Workies again.

Anyway I think no new questions? Other than "How will they get out of this?" but the second half is next even on this batshit watch order, so we can ignore that one. That's fun. However we do still have a fob watch hanging plot thread for Whitaker, so there's that.

The list!

“She” (an unknown person) is returning (perhaps River returned as Missy. Maybe Me? Maybe Clara???!)

There is something on Donna’s back

An entire planet, Pyrovilia, just… disappeared, somehow. (Maybe because the TARDIS is exploding??? Saturnine was also lost, and that WAS because of the TARDIS exploding. The lion man’s planet was also lost but he was a bit of a knob about it if I’m honest.)

Amy is maybe dead (she’s not)

The Doctor has been cubed (he’s out, but how?)

River is possibly blown up  (unless she’s Missy)

The TARDIS has blown up  (It’s fine now. Except it’s sort of melting now because it’s corrupted, but it’s fine again)

The universe appears to have ended  (the universe is back again)

The Doctor has employed(?) Nardole (And Nardole was “reassembled???”)

There’s a vault in the TARDIS and it contains Missy but we don’t know why (sometimes she knocks for the bants)

What has happened to all these companions and where are the new ones coming from?

There’s an immortal Viking girl now. Her name is Me and she’s now looking after the people the Doctor abandons

What’s With The Silence?

Why was Rory entirely unconcerned by the entire world suddenly going silent when that is Not Normal and should have been, at the very least, extremely disconcerting?

What did the Doctor do to Queen Lizzie One?

Who is Captain Jack Harkness? (Is he the one who gave the companions a warning about the lone cyberman?)

Why is Amy seeing a one-eyed woman in a vanishing window?

What’s with the Doctor’s future involving getting shot by an astronaut?

Is Amy pregnant and why is it inconclusive?

Who is Sarah-Jane Smith?

How is the Doctor Bill’s teacher and why/where does he have an office?

What is going on with the Cyber War and the Cyberium???

Who did the Doctor lose to Cyber Conversion?

What happened with the Other Cyber War?

What happened with the Third War that deleted the void?

Why does Rose seem particularly important?

What’s with the Weeping Angel statues, and why can’t you blink at them?

What order do these Doctors go in? (Eccleston, Tennant, uncertain, Smith, Capaldi.)

Which companion just… forgot the Doctor, and how?

Yaz and Vinder are about to die as Mori/Mwri/Muuri

There is a Lupari shield around Earth.

What’s a Time War?

What’s the Rift?

What’s Bad Wolf?

What happened with Amy’s pregnancy?

In which war did the Doctor become a war criminal, and how?

Who is the Master?

Why has Amy forgotten Rory?

Is Rory plastic or not?

Why is the Doctor sulking on a cloud?

How exactly does the Doctor have a cloud?

What exactly happened with Strax to, uh, tame him?

Which friend killed Strax?

Which friend brought Strax back?

Where did this lesbian lizard and human couple come from?

What happened with Clara as Souffle Girl and the Daleks?

How does Clara actually join?

Why so many Claras?

Why is Missy apparently in robo-heaven?

Why is probably!Missy pushing Clara and the Doctor together?

What is Trensilor and what happened there?

Who is Handles?

The Doctor is about to be dissolved by a beautiful geode man

The universe is being crushed by the Flux

Will the Doctor open the fob watch? (NEW INFO: he also needs to open a fob watch as Tennant, but this presumably won't count.)

Sontarans are invading Earth again

Who is Kate?

Who is Osgood? Another name of Clara’s again?

The fuck is the deal with the Grand Serpent

[turneradora]

Here are the press article from the Radio Times magazine.

Thanks again to Emma Jones for the written version ! 🙏🥰

Rutting in Rutshire!

Bouffants, bounders and creaking beds… Jilly Cooper reveals why Rivals is her favourite book (and shares the secret of a happy marriage)

‘Buckets of electric blue eye shadow, heaving shoulder pads atop polka dot and pinstripe suits, haystacks of bouncy hair, kept in place by enough lacquer to fuel a rocket – it feels like I’m back at school getting ready for the end-of-term disco. In fact, I’ve walked onto the set of Rivals, Disney+’s big-budget adaptation of Jilly Cooper’s 1988 bestselling bonkbuster.

We’re inside a huge restaurant in Gloucester, which is doubling up for a posh eaterie in the novel’s fictional Rutshire of 1986. Waiting to make his entrance is Aidan Turner, sporting a moustache to make Tom Selleck proud, in the role of TV chat show host Declan O’Hara. Other names on the call sheet include David Tennant as the cartoonishly named Lord Baddingham, Danny Dyer as big-of-heart, bigger-of-wallet Freddie Jones, and Alex Hassell as the polo player-turned-Tory minister and one-man shagathon, Rupert Campbell-Black. It’s quite the starry cast, but despite all the familiar faces in the room, there is an audible hush upon the arrival of one small, smiling figure through the door – Dame Jilly herself is in the building.

Later, in a quiet corner, she expresses her enthusiasm for the project in exactly the selfeffacing, giggly and gushing style you would expect from the creator of such scrumptious literary – and now TV – fare: “It’s miraculous!” What about the producers? “They’re brilliant, they don’t really need me.” This is clearly not true. With 45 titles to her name since her light-hearted guide to wedlock How to Stay Married debuted in 1969 and 11 million books sold in the UK alone, Cooper is best known for her Rutshire Chronicles, an 11-strong set of door-stopping tomes that began in 1985 with Riders and follow the antics of the horsey set in bedrooms and boardrooms, stables and swimming pools. Rivals, the second in the series, focuses on the very 1980s idea of a battle to secure a regional TV franchise. “I think of all the books I’ve written,” says Cooper, “Rivals is my favourite. The battle for franchises in those days was so strong. And people made absolute fortunes."

The ideas he presented were lovely and he was lovely. It just happened.” She grins. “Plus, the fact that he is double-barrelled, that’s nice.”

As is her priapic protagonist. Rupert Campbell-Black is at the centre of the new drama, as he is in the books, and was the one bit of casting over which Cooper exercised her veto. “I thought Alex (Hassell) wouldn’t be right, he wasn’t blond, but then I met him and… he is very attractive.” Campbell-Black is a composite of two real-life, double-barrelled men, Rupert Lycett Green and Andrew Parker Bowles, as well as the Earl of Suffolk and Berkshire, all of whom the author met soon after she and her husband Leo moved to the Cotswolds in 1982.

“I’d just moved to the country and met these heavenly men, they became great friends and and I was able to study how an upper-class man would behave there.” Do her friends mind appearing in her novels? “Oh no, they love it.”

Campbell-Black may have wall-bouncing charisma, but he’s not entirely chivalrous with its deployment. Is that OK? “People do behave badly,” says Cooper. “They certainly did in the 1980s. Rupert has good qualities. He’s lovely to his dogs, he’s a good MP and he adores his wife. They fall madly in love with each other. Lots of men are frightfully promiscuous until they find their true love.”

Does she believe men like Campbell-Black are at risk of being squashed out of society today? “Yes. When did you last see a fantastically attractive man on television in drama recently?” Hmm, Poldark? Another grin. “He’s in my story. I love good-looking, glamorous, funny, macho men.”

Cooper’s own great romance was with Leo, her publisher husband of 52 years until his death in 2013. She says: “Happiness in marriage comes from creaking bed springs, not so much from sex but from laughter. Well, a bit of both, but definitely laughter. He was lovely, funny, clever, full of military history and kind. He loved cats and I loved dogs, so we worked that out.” She is perhaps referring to his well-documented 1980s affair that rocked, but didn’t ruin, their marriage when she says, “Obviously ups and downs, but when you go through a down, you just hang on and hope it gets better”.

Cooper’s stories are all as raunchy as they are romantic – “I just like people to be happy,” she smiles – but in between all the muddy boots, labradors on mats and shepherd’s pies on kitchen tables, there are progressive layers to be found in both the books and now the TV adaptation. The female characters are strong and self-determining. “The women in those days were seduced, and were seductive,” Cooper says, before adding wistfully, “Beautiful men and women… and they didn’t fight so much.”

Have love and romance changed in the 30 years since the book came out? She sighs. “Half of teenage children are brought up without their parents staying together. It’s so sad. Happy marriage is the best recipe for life and if people can try to stay together, they should try to make it work. The world is very frightening now. Don’t give up on things easily.”

In real life, Cooper counts among her set Andrew Parker Bowles’s first wife Camilla, now better known as Her Majesty, of whom the author can’t say enough good things. “She’s a friend of mine. I adore her and I think she’s going to be a wonderful queen. She looks beautiful at the moment, she’s become very glamorous.” And, of course, a real-life totem of Cooper’s favourite thing, a happy ending.

”‘FOR JILLY TO APPROVE MY RUPERT WAS IMPORTANT’

ALEX HASSELL PLAYS RupeRt Campbell-blaCk

You were chosen from hundreds of possible actors to play Jilly Cooper’s romantic lead. Did you feel the pressure of expectation?

Initially, I wasn’t sure I’d get the part, I’m not blond or blue-eyed and I’m not from that world, but it’s important to me to live up to a certain Rupert-ness. To have Jilly’s seal of approval was very important.

Where did you go for inspiration?

I’ve met two of the men she based him on, which was helpful. But once on set, you put on your costume and start to feel it.

Or take your costume off…

How did you prepare for that naked tennis scene?

By trying not to get intimidated! If I did have nerves, that day was important as I had nothing to hide behind and it was a naked crucible through which to believe myself as Rupert.

With his arrogance and privilege, is Rupert a force for good?

It depends… He’s reaching middle age and rattling around in his house with just dogs and horses for company, and he’s realising that past choices aren’t going to end well for him. But there is a core of goodness there.

IT’S A PERIOD PIECE LIKE DICKENS’ DAVID TENNANT PLAYS

Lord Tony Baddingham

What was the appeal of Rivals? Before I’d even opened the script, my wife Georgia saw the title and told me I was going to be in it, so any element of choice was taken away from me. She had quite a visceral reaction to it and has been a champion of the whole thing. Did a little part of you want to play Rupert Campbell-Black? It didn’t really matter who I played. But I couldn’t compete with Alex for Rupert. I think Lord Tony Baddingham is a more natural fit for me.

Tony is the resident baddie. Do you have any sympathy for him?

He doesn’t see it that way, he’s just doing what he needs to do in order to survive. Objectively, I can see that some of the things he does aren’t particularly morally robust. It’s all Daddy issues. I don’t think Tony is difficult to make sense of, he’s very plausible. The characters all have drama to them, but they’re nuanced and make sense. You’re not struggling to join the dots, they’re well-crafted and that’s why Jilly’s books have survived. There is a quality in this work that makes it timeless.

Would these characters be believable in a more modern setting?

No, they are entrenched in the politics and mores of that era. It was such a specific moment in time – all that excess; Margaret Thatcher saying there was “no such thing as society”. It changed how people were allowed to think and certain people grabbed it, ran with it and wallowed in it. These characters all swim in that swamp.

The big battle in Rivals is to win a TV franchise. Is the story still relevant?

It’s not something we really have an understanding of now. When I first read the scripts, I thought, “Are the stakes of this going to make sense?” But it doesn’t matter what they’re competing over, it’s just who they are and that’s what drives them and that feels very alive and human.

What kind of portrait of 1980s England do we see in Rivals?

Jilly Cooper is a great chronicler of the human condition. It’s a period piece like a Dickens drama. You can marvel at how different some things were and how similar other things were. That’s part of the joy.

What did you love most about the 1980s?

I’ve loved rediscovering the music. I was a teenager during those years, so there was a lot of music it wasn’t cool to like. But some of these tunes are banging.

‘A WOMAN WITH RED LIPS KNOWS HER BUSINESS’

NAFESSA WILLIAMS PLAYS Cameron Cook

You were born and raised in West Philadelphia, a long way from Jilly Cooper’s Rutshire. What drew you to the role of TV producer Cameron Cook?

It was the script, plus how smart Cameron is. You have this black woman in a white man’s world in the 1980s, being able to run a company. She’s very fashionable, very strong, very grounded in who she is — and very comfortable in her sexuality.

She’s very distinctive. Did you have a particular style influence?

The singer Sade was a big inspiration for how Cameron looked, with the flicked back ponytail and the long braids.

Would you resurrect any of that era’s distinctive fashion?

I loved the high waists, the belts, the hair. It was all bigger, bolder, brighter. We don’t see as many red lips and nails now as we did back then — that speaks of a lot of confidence and sexiness, and being bold. A woman with red lips and red nails knows her business. Bring some of that back!

‘THERE WAS AN INSTANT TRUST WITH AIDAN’ VICTORIA SMURFIT PLAYS

Maud O’Hara

Maud doesn’t seem very satisfied with her lot as Declan’s wife and is very open to temptation… She is a very complicated, insecure, broken butterfly who exists on validation. She’s feeling down, she wants every man to fancy her, and her selfishness drives her to where she wants to go.

Had you met Aidan Turner, who plays your screen husband, before?

I didn’t know Aidan, but there was an instant trust. We barely talked about how our characters operated, we just knew they were existing in an English hierarchy, as this scrappy, passionate Irish family. We instantly knew where we were at.

Does Jilly Cooper treat her female characters well?

When you watch the whole arc of all the different women, by the time you get to the end, it feels like a feminist piece. All of the female characters play their politics out the way they want to — some get what they want and some get what they need.

Maud is very colourful in her mood and clothes. Did you have fun with your costumes?

Maud is more boho 70s than the others. The costumes did a lot of the work for us. As soon as we put on our clothes, it felt like we knew who our characters were.

I BASED DECLAN ON MY DAD’

AIDAN TURNER PLAYS Declan O’Hara

When you got the script for Rivals, did a little part of you want to play romantic rogue Rupert Campbell-Black, as opposed to Irish chat show host Declan O’Hara?

No, not one single bit. Alex [Hassell] does it better. It’s a best person for the role thing. There are very few Irish actors who can do Declan O’Hara as well as me, know what I’m saying? My eyes were always on the O’Hara prize.

How familiar were you with Jilly Cooper’s books before you were cast?

I remember dating an Irish girl who loved Jilly Cooper. She was in the atmosphere, but I hadn’t read the books until I started shooting. On the first day of filming, I got into the trailer and there was a copy of Rivals. We already had all the scripts, but we could use the book as a reference for tone. It was great to have it there.

Declan has quite a distinctive look. Where did you go for inspiration?

There’s something of my dad, who had a moustache all through the 1980s and 1990s. I lightly based a lot of Declan’s character on my dad — he sounds like him and has his physicality. Plus Declan is a dad, and I’m a father now, too. I felt I made a lot of connections.

Was there a TV interviewer or chat show host you studied beforehand?

Declan’s an amalgamation. There are some modern British presenters, but someone I went to a lot was the host of the American debate show Firing Line, William F Buckley. His show was political, smoky, quite serious, slow-paced and high-brow — all the things Declan would love.

You’ve been interviewed many times before. What did you discover about life on the other side of the microphone?

When you’re interviewing someone, there’s power because you can ask what you want, but it’s about building up the trust. If you just lambast people, you won’t get to a second season — people have to respect you.

These things are important to Declan. Even the word “chat” irks him slightly. Rivals is set firmly in the 1980s. What would you like to bring back from that decade?

The lack of telecommunications and mobile phones. As we see in the show, it forces people into situations that could be easily solved with a phone call. The characters can’t contact someone on the other side of the county, they have to show up unannounced at their house. There’s a lawlessness, a looseness, an unpredictability.

‘I MISS THE SHOULDER PADS’

KATHERINE PARKINSON PLAYS Lizzie Vereker

Lizzie is the sweetest of the local women, but she can be easily led by her Rutshire neighbours… Lizzie gets caught up with the snobbery of the world she’s in, and she does that thing of joining in with the crowd for survival. Then when Freddie Jones [Danny Dyer] arrives and they mock him, she’s chastened.

It takes an outsider to come in and hold a mirror up to these people. The married but neglected Lizzie embarks on an affair with Freddie. Did you approve?

They are both quite pure and drawn to each other for the right reasons, so it’s actually a positive thing. You want these characters to find themselves again.

Rivals is set in 1986. Have things got better for women since then?

My mother’s generation were more likely to sacrifice their talents for the sake of their husbands. I think that’s definitely evolved since the time Jilly Cooper was writing about, but it’s helpful to look back and see what still needs to change.

In your opinion, what was better about the 1980s?

The earrings… and the shoulder pads.

‘I’VE NEVER CLAIMED TO BE A HARD MAN’

DANNY DYER PLAYS Freddie Jones

Tech millionaire Freddie Jones is a lot softer than the “hard” men you usually play?

I don’t know where that comes from. I know I’m a working-class actor, I swear a bit and walk like a duck with a swagger, but I’ve never claimed to be a hard man. When I was in EastEnders, I wore a pink dressing gown. But this is something different and, for me as an actor, I needed an opportunity to look different. I don’t get many opportunities to do that. Even my biggest haters through their gritted teeth might have to accept that Freddie is a nice, watchable character.

Was that your real hair?

I wish. I had it all clipped on. What a bouffant it is! I’ll cling on to what I have for dear life, but I accept it. I’m a grandfather now, I’m allowed to go bald.

Freddie is the richest of all the characters, but an outsider in Rutshire. Is he the real top dog?

There’s a kindness behind the eyes of Freddie, but he’s a teddy bear with a bite. He has no desire to be top dog, but when he needs to put his foot down, he does. I fell in love with him when I read the script.

One scene, where Freddie and his wife are mocked by the Rutshire set, makes for uncomfortable viewing...

There’s an element of classism and other -isms in the show. As much as they want Freddie and his money around, they also look down their noses at him.

In 2018, you accused David Cameron of “putting his trotters up” instead of working hard. How did it feel going to Gloucestershire, the stomping ground of Cameron and his pals?

It’s not the world I come from. But this is set in the 1980s, we’re in a different era and environment now, but we’re true to how it was.

Freddie also develops a slowburn, hard-earned romance with Lizzie Vereker…

They’re both in marriages where they feel suppressed and don’t feel seen. Hopefully, the audience will root for us to have an affair, which is a strange thing as it sounds awful.

Do Freddie and Lizzie get a suitably Cooper-esque sex scene?

You’ll have to keep watching. Things take a surreal turn.

What was the best aspect of the 1980s? Anything you miss?

I think we have far too much technology now. I have children who can’t understand how we survived without mobile phones. I feel it was slightly less complicated in the way we engaged with each other: sitting down, making eye contact.

EMILY ATACK PLAYS

SARAH STRATTON

Your character, the wife of the Tory deputy Prime Minister, appears very manipulative and conniving. Did you enjoy playing her?

She’s a car crash, but she’s ambitious, smart and a bit sick of being told all her life she’s a ditzy blonde. Particularly at the time this is set, women felt there was little other option for them but to use their sexuality to get what they wanted. Characters like her are often written as unlikeable, but there are lots of hidden layers and vulnerabilities.

Her look is very much of her time. How did you go about creating it?

My morning pick-up times were the earliest of the entire cast. Hours and hours in hair and make-up — so much hairspray and backcombing. At my first fitting for costume, I thought, “I’m never going to fit into that,” but with a pair of Spanx we were good to go. And I bought some cheap 80s perfume, which I wore every day.

For one famous scene of naked tennis with Rupert Campbell Black, there are no clothes at all. How did that feel?

The whole cast were warned early on that there would be nudity and sex scenes, so you knew what you were getting into. The sex is integral to the scenes and the characters, and the tennis scene is very famous, so I wanted to get it right. Alex [Hassell] and I talked it through with the director, to make sure we felt comfortable. It was a closed set. I felt very safe, and I had a great spray tan.

Last year you made a documentary about the sexual harassment you’ve received for several years. Did you hesitate to take this role, or did you feel defiant?

You can’t win whatever you do. If you keep your clothes on you’re a frigid nun, if you take your clothes off you’re a tart. But I love my job and if a role I’m playing requires nudity and it’s integral to the story and I’m safe, I’m exactly where I should be. I’ve learnt it’s not my behaviour that needs to be looked at and changed, it’s other people’s. I’ve learned to take back the narrative that was taken from me — my sexuality, my body. These kinds of roles are fun. I’m still young and it’s OK to feel liberated. I enjoy what I do. And it’s Jilly Cooper – it’s an honour to do it!

Since filming, you’ve had a baby. Are you thinking about work again yet?

For nine months solid, I sat on my arse, ate peanut butter sandwiches and watched all of Downton Abbey. So I’ve had my time off, and now I’m back

[vroomvroomwee]

What's up with David Tennant characters who are genderfluid and alien with a weird connection to their traveling vehicle manhandling the wholesome blonde, blue-eyed character with a lovely accent who has the role of an angel in the show but is a badass deep down and whose boyfriend has at some point taken on animal characteristics but they still love him regardless?

[marvelwifesupernaturalmistress]

So I just finished Good Omens recently and I have a couple things to say and my family and friends are so done with my rants about different movies and TV shows.

1: Holy shit that was a good show! I honestly didn't expect much from the show but holy shit it blew me away with how good it was. It was comedic and I found myself laughing so much and it was so beautifully written the characters are just top tier amazing and wow what I'd give to just continuously rewatch it as if it's my first time watching it.

2: I watched supernatural and I thought wow never gonna find another show like this. One that brings me joy and sadness then I found this fucking wonderful amazing show! AND it made me even more sad like what the fuck how do I keep coming across shows that cause me so much fucking pain. Also can we talk about the parallels between the two shows. Oh look two characters working together to stop the end of the world one a demon and one's an angel, counting Dean a demon solely for this post plus demon Dean did exist, both are oh so obviously in love with each other but neither will admit it, most of the angels are dicks and we all hate metatron, there's a demon named Crowley and many more. I mean look at the similarities between Dean and Crowley. Both are in love with their angel best friend, both are absolutely in love with their car, love classic rock, both are some sassy bitches, both don't want to show their emotions but are big softies, and are both the better looking person in the couple (in my opinion). Then look at the similarities between Aziraphale and Crowley. Both are angels in trench coats who are in love with their best friend, they are manipulated, complicated, traumatized, beautiful angels, both have trouble understanding (some) human expressions, and both struggle with their loyalty to heaven. Also, is it just me or does the first like 10 seconds of End Titles- the one that got left in the car from Good Omens kinda sound like it could be a beginning to a Supernatural opening credits or is it just me?

3: My God David Tennant is FINE like I've seen his face sometimes haven't really seen him in much and was like ok yeah he's attractive and moved on. But then I saw him in this and I'm like wow now I get what everyone's talking about. Like just ahhh this man is fucking attractive! I'm honestly ashamed of myself for taking so long to realize.

4: So TikTok in all its wonderfulness blessed/cursed me with a bunch of Good Omens content the day after I finished watching good Omens. Including a looooooooot of people cosplaying as Crowley. And may I just say the people who cosplay him are fine as fuck! I mean it's really hard to dress up as Crowley and not look attractive I mean Crowley is a style icon. But holy shit the people are so fucking good looking like I just can't. My sexuality does a nose dive off the empire state building when looking at them. I was talking to a friend about it and she said it's a case of wanting to be with them or be them and I disagree. I want to be with them all. Just holy shit you want to look good dress like Crowley you'll look fantastic.

5: The effect this show has had on my life is insane. I have been obsessed with listening to Queen since I finished the show. Which I'm not complaining about at all they were my favorite and still are my favorite band before I even watched the show. I have barely listened to something that wasn't Queen or songs from the show since I binge watched the show. I'm listening to another one bites the dust while typing this. Once again not complaining. Also, did anyone else want to dye their hair like Crowley's when they finished the show? Cause I do. I have been blonde my whole life and never wanted to change it and now I want it red. And I need to know if I'm alone in this or not to determine how alarmed I should be.

6: They had no right making the relationship of Crowley and Aziraphale they way they did. First they made them friends who obviously were in love with each other but hid it then they give us them acting basically as a married couple being so fucking adorable and me just wanting the type of love they have for them to give us that ending of season two! I'm not gonna lie if my dad wasn't up and calmed me down I either would've spontaneously combusted from my literally shaking anger or went on a spree. Not sure what type of spree but a spree of some kind.

7: How all of you wonderful people didn't riot or harm Neil Gaiman is beyond me. First when season 1 ended y'all had to wait 2 years to even get a green light that there was gonna be a season 2 and then another 2 for it to finally come out. And then for the season final of season 2 to happen where then you had to wait even longer for season 3 to be greenlight is just you all have a greater will power than me. I'm coming into this with two seasons and a third confirmed so a round of applause to y'all. And now I completely understand why I kept hearing people say they hated Neil Gaiman and stuff like that.

And finally on a somewhat unrelated note I'm planning to watch Doctor who since I'm about to finish another show where can I find it and what order do I watch it in? I've heard many different answers on the order.

Thanks everyone for coming to my rant y'all are wonderful and everyone have a wonderful day!<3

[kapreday]

Folks on here talk about the big three all the time. Always on about the big three. Back in my day it was even a different big three. But the old big three and the new big three are maybe the same?

Supernatural - What We Do In The Shadows. The worlds most fucked up gays in the worst polycule imaginable.

Doctor Who - Good Omens. Anywhen on Earth featuring David Tennant.

Sherlock - Our Flag Means Death. Puppy dog blonde loves worlds dumbest tall dark and handsome genius.